Series have become a big part of our lives. We consume, mimic and discuss widely the newly seen production, with friends or on social media. In our busy lives, with long working hours, distanced families, constant rushing, and endless information to digest, we surf the comfortable waves entertainment offers without pausing to think whether it is really worth our time. Long-running series replace us families or friends, providing virtual companionship over time. They press loneliness, providing virtual companionship over time. They address loneliness, loss, and emotional unsettlement with long-term connection, but sometimes, like in the case of The White Lotus, they just entertain: visually pleasing, but ultimately empty.
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